{"title":"Effect Plugins","description":"\u003carticle\u003e\n\u003ch2\u003eIntro – what are Effect Plugins?\u003c\/h2\u003e\n\u003cp\u003eEffect Plugins are digital audio effects that you insert into your music production, live mix, or post-production to shape and improve the sound. An Effect Plugin typically runs in your DAW, DJ Software or other audio software and can be anything from a simple EQ to advanced reverb, multiband compression or creative modulation. At SoundStoreXL, you’ll find Effect Plugins as a digital download with an official licence, so you can get started right away on both Mac and Windows.\u003c\/p\u003e\n\u003cp\u003eIf you’re looking for Effect Plugins for professional use or serious hobby use, the choice often comes down to sound quality, workflow and stability. That’s why we focus on well-tested Audio Plugins and Effect Plugins that cover everything from mix and mastering to creative sound design tasks. At the same time, you get a secure purchase, Danish support, and software that works seamlessly with the most widely used music production tools.\u003c\/p\u003e\n\u003ch2\u003eWho are Effect Plugins relevant for?\u003c\/h2\u003e\n\u003cp\u003eEffect Plugins are relevant for anyone working with audio at a serious level—whether you’re a musician, producer, DJ, content creator, or technician. With the right Effect Plugins, you can elevate both the technical quality and the artistic expression of your project.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMusic producers who want better mixes and a more professional sound.\u003c\/li\u003e\n\u003cli\u003eSongwriters and solo artists who want to record and polish demos and releases from home.\u003c\/li\u003e\n\u003cli\u003eDJs who use Effect Plugins in their DJ Software to shape transitions and build energy.\u003c\/li\u003e\n\u003cli\u003eSound engineers who need to build live or streaming setups with controlled sound.\u003c\/li\u003e\n\u003cli\u003eContent creators, podcasters and YouTubers who want cleaner vocals and a more consistent level.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNo matter your level, a strong set of Effect Plugins gives you better control over the sound and lets you work more efficiently. This means you can focus on the music and creativity instead of struggling with poor recordings and inconsistent sound.\u003c\/p\u003e\n\u003ch2\u003eHow to choose the right Effect Plugins for your production\u003c\/h2\u003e\n\u003cp\u003eThe best place to start is to focus on what you specifically lack in your current setup. Many DAWs and DJ programs already have basic effects, but their strength and sound quality can vary. That’s why it makes sense to invest in specialised Effect Plugins for the areas where you often hit a limitation.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDefine your primary goal: mix, mastering, creative sound, live performance, or all of the above.\u003c\/li\u003e\n\u003cli\u003eMap out what you already have and where you feel limited in the sound.\u003c\/li\u003e\n\u003cli\u003ePrioritise a few, but great Effect Plugins rather than many mediocre ones.\u003c\/li\u003e\n\u003cli\u003eMake sure the plugins support your system and your software (VST, AU, or another plugin standard).\u003c\/li\u003e\n\u003cli\u003eConsider bundles or deals if you need several types of effects at once.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBy working purposefully with your needs, you avoid building up a large and unmanageable collection that you rarely use. Instead, you get a set of Effect Plugins that you know inside out and can rely on in every single production.\u003c\/p\u003e\n\u003ch2\u003eThe most important types of Effect Plugins for music production\u003c\/h2\u003e\n\u003cp\u003eWhen you put together your toolkit of Effect Plugins, there are certain types that almost every production needs. These basic effects form the foundation of a controlled, great-sounding mix.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEQ plugins – to shape frequencies, remove muddiness and highlight important details.\u003c\/li\u003e\n\u003cli\u003eCompressor plugins – to control dynamics, add punch and create cohesion in the mix.\u003c\/li\u003e\n\u003cli\u003eReverb plugins – to add space, depth and natural or artificial ambience.\u003c\/li\u003e\n\u003cli\u003eDelay plugins – for echo effects, rhythmic repeats and stereo depth.\u003c\/li\u003e\n\u003cli\u003eDistortion and saturation – for warmth, character and aggression in the sound.\u003c\/li\u003e\n\u003cli\u003eModulation effects – such as chorus, flanger, phaser and tremolo for movement and width.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWith these basic Effect Plugins, you can always build a complete mix. Later, you can expand with more advanced tools such as multiband compressors, transient shapers and specialised reverb or delay plugins as your demands for detail and finesse grow.\u003c\/p\u003e\n\u003ch2\u003eEffect Plugins for guitars, vocals and other instruments\u003c\/h2\u003e\n\u003cp\u003eEven though many Effect Plugins are universal, it often makes sense to choose plugins that are optimised for specific sources. Guitars, vocals, drums and synths each have their own challenges and strengths, and the right Effect Plugins can help you bring out the best in each instrument.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGuitars Effect Plugins typically offer amp simulation, cabinet emulation, overdrive, distortion, chorus, reverb and delay.\u003c\/li\u003e\n\u003cli\u003eVocal plugins can combine EQ, compression, de-essing, reverb and pitch correction in a single chain.\u003c\/li\u003e\n\u003cli\u003eDrum-focused Effect Plugins often concentrate on transient handling, parallel compression and space.\u003c\/li\u003e\n\u003cli\u003eSynth and electronic sounds benefit from creative modulation, filters, distortion and advanced delays.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBy matching Effect Plugins to the sound source you work with most, you get faster results and a more consistent overall sound. At the same time, you avoid having to build the same complex signal chain from scratch again and again.\u003c\/p\u003e\n\u003ch2\u003eFree vs. paid Effect Plugins – what should you choose?\u003c\/h2\u003e\n\u003cp\u003eFree Effect Plugins can be a good way to learn the basics of mixing, but there are clear differences when you compare them with well-developed, paid plugins. If you want to deliver stable, professional sound, it usually makes sense to combine a few free Effect Plugins with selected paid solutions.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePaid Effect Plugins often have better audio engines and more precise DSP.\u003c\/li\u003e\n\u003cli\u003eUser-friendly design and thoroughly tested presets deliver a faster workflow.\u003c\/li\u003e\n\u003cli\u003eTechnical support and updates ensure long-term stability.\u003c\/li\u003e\n\u003cli\u003eLicensed plugins reduce the risk of compatibility and security issues.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMany choose a solution where the most important Effect Plugins for mixing and mastering are paid, while creative niches and experiments are more often based on free or cheaper options. This way, you ensure both quality and flexibility without breaking the budget.\u003c\/p\u003e\n\u003ch2\u003eEffect Plugins for DAWs, DJ Software and live use\u003c\/h2\u003e\n\u003cp\u003eMost Effect Plugins are installed as Audio Plugins in your DAW or in compatible DJ Software. This may be in the form of VST, AU, or other widely used plugin formats. For a smooth workflow, it is crucial that you choose Effect Plugins that match both your operating system and your preferred music software.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMake sure that the plugin type (for example VST or AU) is supported by your software.\u003c\/li\u003e\n\u003cli\u003eCheck whether Effect Plugins are available in both 64-bit versions and for the systems you use.\u003c\/li\u003e\n\u003cli\u003eIf you work live, choose plugins that are known for low latency and stable operation.\u003c\/li\u003e\n\u003cli\u003eConsider lightweight Effect Plugins for less powerful computers or portable setups.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAt SoundStoreXL you will find Effect Plugins designed for flexible use in both studio and live contexts. All are delivered as a digital download with an official licence, so you can quickly integrate them into your existing projects without hassle.\u003c\/p\u003e\n\u003ch2\u003eStep by step – installation and setup of Effect Plugins\u003c\/h2\u003e\n\u003cp\u003eInstalling Effect Plugins is relatively straightforward today, but there are still some steps that are good to know. If you follow a fixed procedure, you minimise the risk that the plugin does not appear in your DAW or DJ Software.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBuy and download the licence as a digital download via SoundStoreXL.\u003c\/li\u003e\n\u003cli\u003eInstall the Effect Plugin via the included installer or by placing the files in your plugin folder.\u003c\/li\u003e\n\u003cli\u003eChoose the correct plugin type during installation so it matches your software.\u003c\/li\u003e\n\u003cli\u003eOpen your DAW or DJ Software and update or rescan plugin folders.\u003c\/li\u003e\n\u003cli\u003eActivate the licence with the official key or user profile you receive.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWhen your Effect Plugin is correctly installed and activated, it will be available in your plugin list. From here, you can insert it on channels, busses, or the master, depending on how you build your signal chain.\u003c\/p\u003e\n\u003ch2\u003eCommon errors and troubleshooting with Effect Plugins\u003c\/h2\u003e\n\u003cp\u003eEven with correct installation, problems can occur. Fortunately, most issues with Effect Plugins can be solved by going through a few systematic steps. This saves time and frustration in both studio and live situations.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePlugin not showing in DAW – check the plugin folder, format, and the rescan function.\u003c\/li\u003e\n\u003cli\u003ePlugin crashes – make sure you have the latest version of both the plugin and your software.\u003c\/li\u003e\n\u003cli\u003eLicence error – check that you are using the correct login or licence key.\u003c\/li\u003e\n\u003cli\u003eCPU load too high – use fewer instances, freeze tracks, or choose lighter alternatives.\u003c\/li\u003e\n\u003cli\u003eNo sound through Effect Plugin – check routing, bypass buttons, and input\/output settings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIf you still experience problems after going through these points, you can usually find solutions in the documentation for the individual Effect Plugin. As a SoundStoreXL customer, you also have access to Danish support that can help you move forward.\u003c\/p\u003e\n\u003ch2\u003ePractical tips for using Effect Plugins in mixing and mastering\u003c\/h2\u003e\n\u003cp\u003eThe biggest difference between an amateur and a professional mix rarely lies in the number of Effect Plugins, but in how they’re used. Structure, order and intentional choices matter far more than a random chain of effects on every track.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWork in a fixed order: gain staging, EQ, compression, reverb and creative effects.\u003c\/li\u003e\n\u003cli\u003eUse as few Effect Plugins as possible to maintain clarity and headroom.\u003c\/li\u003e\n\u003cli\u003eUse send and return tracks for reverb and delay to keep the mix cohesive.\u003c\/li\u003e\n\u003cli\u003eRegularly compare with reference tracks to stay on course and keep balance.\u003c\/li\u003e\n\u003cli\u003eSave your own presets when you land on a great sound you can often use again.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBy working in a disciplined way with your Effect Plugins, you can build a signature sound and a stable workflow. It also makes troubleshooting easier, because you know exactly which plugins do what in your chain.\u003c\/p\u003e\n\u003ch2\u003eDeals, bundles and package solutions for Effect Plugins\u003c\/h2\u003e\n\u003cp\u003eIf you need several Effect Plugins at once, it can be worth looking for software bundles and deals. Here, multiple types of Effect Plugins are gathered in one package, often at a combined price that’s lower than buying each plugin separately.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBundles can include a complete package for mixing and mastering.\u003c\/li\u003e\n\u003cli\u003eSome software packages include both Effect Plugins and Instrument Plugins.\u003c\/li\u003e\n\u003cli\u003eDeals may be time-limited and offer extra value when you upgrade your setup.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAt SoundStoreXL you’ll find both standalone Effect Plugins and combined software bundles. This gives you the flexibility to either build your collection gradually or take a bigger step and get a complete set of tools in one go.\u003c\/p\u003e\n\u003ch2\u003eSoftware types that work together with Effect Plugins\u003c\/h2\u003e\n\u003cp\u003eEffect Plugins rarely stand alone. They’re part of a complete software setup, where you may also need DAWs, Instrument Plugins, sample packs and DJ Software. The better your programs work together, the smoother your creative workflow becomes.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDAWs for recording, editing and mixing audio tracks.\u003c\/li\u003e\n\u003cli\u003eInstrument Plugins (VSTi) that deliver virtual synths, pianos and other sounds.\u003c\/li\u003e\n\u003cli\u003eSample packs that provide drum sounds, loops and one-shots to build on.\u003c\/li\u003e\n\u003cli\u003eDJ Software, where Effect Plugins can enhance your transitions and live sets.\u003c\/li\u003e\n\u003cli\u003eMastering software that fine-tunes the final stereo mix.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWhen you buy Effect Plugins from SoundStoreXL, you can build your digital toolkit across these software types. Everything is delivered as a digital download with an official licence and is compatible with both Mac and Windows, so you can create a stable and flexible working environment.\u003c\/p\u003e\n\u003ch2\u003eFAQ – frequently asked questions about Effect Plugins\u003c\/h2\u003e\n\u003cp\u003eHere you’ll find short answers to some of the most common questions about Effect Plugins, installation and practical use.\u003c\/p\u003e\n\u003cp\u003eWhat is an Effect Plugin, and what is it used for?\u003c\/p\u003e\n\u003cp\u003eAn Effect Plugin is a digital tool that changes or enhances the sound in your DAW or DJ Software. You use Effect Plugins to shape frequency balance, dynamics, space and creative character on tracks, busses or the master to achieve a more controlled, full and professional result.\u003c\/p\u003e\n\u003cp\u003eWhich types of Effect Plugins are most important for beginners?\u003c\/p\u003e\n\u003cp\u003eThe most important Effect Plugins for beginners are a good EQ, a versatile compressor, a flexible reverb and a delay plugin. With these four types, you can handle the vast majority of standard tasks in both mixing and production, and you can build experience before moving on to more advanced tools.\u003c\/p\u003e\n\u003cp\u003eHow do I install VST Effect Plugins in my software?\u003c\/p\u003e\n\u003cp\u003eYou install VST Effect Plugins by first downloading the installer file, then running the installer and choosing your plugin folder. When the installation is complete, open your DAW or DJ Software, do a plugin rescan and activate the licence with the key or account you received via SoundStoreXL. After that, the Effect Plugin will be ready to use.\u003c\/p\u003e\n\u003cp\u003eCan I use the same Effect Plugins for both guitar and vocals?\u003c\/p\u003e\n\u003cp\u003eYes, most Effect Plugins can be used on both guitar, vocals and other instruments, as long as they’re inserted as regular Audio Plugins. Some plugins are optimised for specific sources, but basic effects such as EQ, compression, reverb and delay work across audio sources, so you can reuse them throughout your mix.\u003c\/p\u003e\n\u003cp\u003eWhat’s the difference between free and paid Effect Plugins?\u003c\/p\u003e\n\u003cp\u003eThe difference typically lies in sound quality, stability, user interface and support. Paid Effect Plugins often offer more advanced DSP, optimised presets, better documentation and ongoing updates. That makes them more suitable for demanding use where you can’t afford crashes or unpredictable behaviour.\u003c\/p\u003e\n\u003ch2\u003eBuy your Effect Plugins at SoundStoreXL\u003c\/h2\u003e\n\u003cp\u003eWhen you buy Effect Plugins at SoundStoreXL, you get digital download, an official licence and secure purchasing all in one place. This means you can install your new Audio Plugins straight away, without physical shipping and without uncertainty about licensing and activation. At the same time, all our software solutions for Effect Plugins are selected with a focus on sound quality, stability and practical usability.\u003c\/p\u003e\n\u003cp\u003eAs a 100% Danish retailer, we offer Danish support, so you’re not left on your own if you have questions about installation, compatibility or choosing the right Effect Plugin for your task. You can combine Effect Plugins with other software types such as DAWs, Instrument Plugins, sample packs and DJ Software to build a complete digital toolkit for both studio and stage. For an overall overview, you can refer to software categories such as [link: Effekt plugins] and [link: Audio plugins].\u003c\/p\u003e\n\u003cp\u003eBuy your Effect Plugins at SoundStoreXL – a 100% Danish retailer.\u003c\/p\u003e\n\u003c\/article\u003e","products":[{"product_id":"aurora-510eq","title":"AURORA 510EQ","description":"\u003ch3\u003eFlexibility of digital, sound as real\u003c\/h3\u003e\n\u003cp\u003ehe 510EQ is a lightweight, plugin modeled on the famous American equalizer used as 500 modules boosted with a vintage output transformer for smooth drive and color.\u003c\/p\u003e\n\u003cp\u003eAt Aurora DSP, we’re constantly looking for a way to improve your workflow and deliver plugins that will stay in your arsenal forever. 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With a decay time up to 35 seconds, it enables users to create massive, beautiful aural spaces. Galactic is a natural for transporting guitars, drums, keys, and even vocals into an extraterrestrial ambience.\u003c\/p\u003e\n\u003cp\u003eBased on a reverb algorithm featured in Cherry Audio's smash hit Dreamsynth virtual instrument, the Galactic plugin adds modulation controls, predelay, and an equalizer. We've also added a remarkable ducking function for automatically reducing reverb levels while a singer or an instrument is playing to improve mix clarity, no sidechain required! Ducking can also be used to dramatically alternate between super dry and immense reverb tails, setting Galactic apart from other spacey reverbs.\u003c\/p\u003e\n\u003cp\u003eGalactic is intuitive to use and produces musical results at lightspeed. Like all Cherry Audio plugins, Galactic includes our convenient preset browser, loaded with over 50 ethereal presets. It can be used as an insert or bus effect, and is fully compatible with mono or stereo sources.\u003c\/p\u003e\n\u003cp\u003eBypass the compressor. Initiate the matter-antimatter integrator. 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padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"list-style: disc; padding-left: 1.5em; margin: 0;\"\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eA library of more than 400 impulse responses (IRs)\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eOutdoor and  indoor space simulation\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003e0.1 to 10 seconds reverb time range for all IRs\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eDual reverb mode for seamless real-time scene changes on each instance\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eUp to 9.1 channels ( 7.1.2 ) within standard Pro Tools tracks and buses. 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Our Blackhole® reverb breaks the rules by allowing you to create virtual spaces that could never exist in reality (or at least the one we inhabit). At large sizes, its soft attack and lingering, harmonic tails allow it to really shine on guitars, strings, and pads. At small sizes, those very same qualities can add an angelic sheen to vocals or turn a simple drum track into an otherworldly rhythm section.\u003c\/p\u003e\n\u003ch3\u003eFrom the Extreme to the Sublime\u003c\/h3\u003e\n\u003cp\u003eWhile it’s true Blackhole is capable of creating space-warping special effects and drones, it’s also capable of creating musical and subtle effects you’ll find useful for highlighting key instruments or painting a backdrop for your mix. 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It introduced the concept of the ‘plug-in’ to the pro audio world back in 1982, with actual hardware chips that would be plugged in under the hood. Revered for its signature reverbs, the SP2016 was notably used by Dave Pensado, George Massenburg, Alan Sides, Roy Hendrickson, Jack Douglas, and Mick Guzauski. The lush reverb can be heard on countless hit records by Talking Heads, Adele, Mariah Carey, Eminem, and more. Now, 36 years later, this signature sound is available for your DAW.\u003c\/p\u003e\n\u003ch3\u003eSix Distinct Reverbs\u003c\/h3\u003e\n\u003cp\u003eThe algorithms naturally emulate every aspect of the sound of a real physical environment — from the complex early reflections, to the natural way in which the echo density increases with time, and to the smooth Gaussian decay of the reverb tail. It’s a powerful simulation that lends itself to parametric control.\u003c\/p\u003e\n\u003cp\u003eThe SP2016 reverbs have attracted a loyal user base by using a particular blend of art and science — the end result is an effect that sounds natural and distinctive. The plug-in includes authentic emulations of Room, Stereo Room, and Hi-Density Plate algorithms, each available in two versions: Vintage and Modern. The Vintage algorithms are true to the original box, all the way down to the bit-depth. The Modern algorithms are brighter, more diffuse, and use a higher bit-depth.\u003c\/p\u003e\n\u003ch3\u003eSitting in the Mix\u003c\/h3\u003e\n\u003cp\u003eControl the structure of the reverb by fine-tuning the controls – including PreDelay, Decay, Position, and Diffusion. The EQ section allows for simple high and low filtering of the reverb with adjustable filter ranges. The low filter can be used to cut OR boost at the specified frequency.\u003c\/p\u003e\n\u003cp\u003eWith the unique Position control, the ability to make a reverb effect that sits perfectly in your mix is as easy as moving one slider. This powerful tool allows you to take your listeners from the back of the room all the way to the stage while retaining all of your other settings.\u003c\/p\u003e\n\u003ch3\u003eReinventing a Classic\u003c\/h3\u003e\n\u003cp\u003eClassic gear stands the test of time. The sound of the hardware is the result of a combination of DSP processing and analog audio circuitry. Painstakingly modeling every aspect of these hardware units was neither quick nor easy, but now the must-have sonic beauty of these classic reverbs is available for your use in the box or live.\u003c\/p\u003e\n\u003ch3\u003eThree reverb types:\u003c\/h3\u003e\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"list-style: disc; padding-left: 1.5em; margin: 0;\"\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eRoom: Your basic no-nonsense, no-frills ambient “room.” It’s a mono effect with stereo outputs. The extreme Pre-Delay range makes it possible to use this effect for reverberant doubling and single echoes.\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003e2016 Stereo Room: Recreates the ambience of a large concert hall, with very clear, natural reverberation.\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eHi-Density Plate: Plate-type reverb with dual pickups simulating the effect of a bigger, heavier plate. 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Saturate’s two controls belie a sophisticated signal processing engine that allows it to overdrive a signal without affecting the tonal balance no matter how hard you push it. Add up to 24 dB of overdrive without creating a “tubby” or muffled sound. Additionally, the SHAPE control allows you to smoothly morph between hard clipping and the mathematically smoothest curve possible. Use Saturate to overdrive individual tracks or your entire mix.\u003c\/p\u003e\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"list-style: disc; padding-left: 1.5em; margin: 0;\"\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eSaturation plug-in ideal for single tracks or the entire mix\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eSmoothly adjust from the softest to the hardest possible clipping shape\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eSpectral Clipper maintains tonal balance for an always pleasant saturation sound\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eIndependent INPUT and OUTPUT levels, with AUTO output level scaling for easy and precise gain scaling\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eSaturation Curve Display and Meter shows you how your signal is hitting the selected clipping shape\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eMastering Quality Input and Output metering show you both peak and rms levels\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eNEW! 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Spring takes this a step further by allowing manipulation of physical parameters not normally available in a real spring tank. The results vary from faithful recreations of real springs to distinctive new sounds that push the physical boundaries of reverb.\u003c\/p\u003e\n\u003cp\u003eThis vintage reverb sound originally derived from the reflections of sound waves traveling through springs has been given an overhaul for the 21st century and beyond. Eventide Spring contains two different sized ‘spring tanks’ along with the ability to morph between one and three springs. Easily program The Ribbon to seamlessly transition between any two settings in real-time! The added tube-amp-style tremolo can be routed before or after the spring resulting in an unrivaled ability to craft your own unique reverb sound. Alter the intensity by changing the tremolo depth and adjust the tremolo rate in Hz, or note value when tempo-sync’d to your project.\u003c\/p\u003e\n\u003cp\u003eWant more control of your tone? Spring has controls to independently manipulate the damping frequency for both the Low and High ends. Get even more ring from your spring by adjusting the amount of metallic Resonance present in the High Damping frequency. Guitarists love the revered surfer vibe but all creative musicians will find that Spring makes any synthesizer, drum, or vocal stand out in a mix.\u003c\/p\u003e\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"list-style: disc; padding-left: 1.5em; margin: 0;\"\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eArtist presets by Matt Lange, Nick Hook, and Nu-Trix\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eTempo Sync reverb decay to your DAW\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eCraft original sounds by changing the number of springs and damping frequency\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eAlter overall resonance by selecting the size of the spring tank\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eTube-amp-style tremolo that can be routed pre- or post-reverb\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eCreate chorus-like effects by altering Modulation Level\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eThe Ribbon controller allows for dynamic modification of several knobs at once to easily morph between settings\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eProgrammable Hotswitch provides ability to jump instantly to an alternate sound at the push of a button\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eSystem Requirements\u003c\/h3\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003emacOS\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e macOS\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-3, AU, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 64_bit\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003eWindows\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e Windows\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, VST-3, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 64_bit\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":53935976317251,"sku":"XCH-1247-55","price":800.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/Spring-Screenshot-scaled.jpg?v=1764254860"},{"product_id":"crushstation®","title":"CrushStation®","description":"\u003ch3\u003eOverdrive Command Center\u003c\/h3\u003e\n\u003cp\u003eCrushStation is a versatile, best-in-class, stereo distortion platform for your Mac, PC, or iPad\/iPhone. Its controls can drive your tone from creamy saturation to a brutal sonic assault. But distortion is just the starting point. CrushStation brings multi-effects to the mix by adding a three-band EQ, Compression, Octave Mix and, Eventide’s unique take on failing hardware, the Sag control. Use the MIX Control to blend your dry signal with CrushStation to create parallel compression, distortion, and other creative effects.\u003c\/p\u003e\n\u003ch3\u003eFix, Fit \u0026amp; Feature\u003c\/h3\u003e\n\u003cp\u003eCrushStation’s combination of ingredients creates a plug-in that excels at the three broad ways distortion effects can be deployed. FX expert and author, Alex Case, refers to them as the “3Fs”: FIT, FIX and FEATURE.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e“FIX” a weak snare track by adding just a bit of Grit \u0026amp; Compression.\u003c\/li\u003e\n\u003cli\u003e“FIT” finesse the lead into your mix by adding a bit of warmth and bottom.\u003c\/li\u003e\n\u003cli\u003e“FEATURE” the lead by crushing it ‘til it hurts.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"list-style: disc; padding-left: 1.5em; margin: 0;\"\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003e35 PRESETS painstakingly tailored to cover all the bases\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eDRIVE from shallow subtle boost to deep overdrive distortion\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; 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This production technique was popularized by Daniel Lanois and Brian Eno on U2’s The Unforgettable Fire. Now, this iconic sound has been refined and extended with a modern, unified interface that is great for adding dreamy ambiance to guitars, keys, synths, samples, and vocals. In typical Eventide fashion, features have been added such as the ability to infinitely feedback the signal, resulting in cascading reverbs that smear into oblivion. Feedback can be further fine-tuned by specifying which frequencies are fed back through the low\/mid\/high cross-over network.\u003c\/p\u003e\n\u003cp\u003eShimmerVerb shines via its playable, performance-based parameters. THE RIBBON is an easy-to-program performance macro allowing users to morph between two settings with one control. Desktop users can plug in a MIDI keyboard and gain tactile command over this function via the modulation wheel. Ribbon mappings are great for Feedback swells, moving the Pitch knobs, or changing the Size for a massive detuning result. ShimmerVerb also boasts a HOTSWITCH for calling up another state of parameters inside the same preset. Use this for changing octaves, turning off\/on the pitch shifters, or simply turning the Mix up or down while crafting your performance. 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It excels at Repairing, Rebalancing, Enhancing, and Widening any musical source or audio signal. SplitEQ is both a surgical tool for fixing particularly nasty problems and a creative tool as it opens up exciting new musical possibilities. More than just an EQ — It’s a new and better tool.\u003c\/p\u003e\n\u003ch3\u003eBy Musicians For Musicians\u003c\/h3\u003e\n\u003cp\u003eSplitEQ reduces the distance between what you want to do and how you actually do it, and with fewer tradeoffs than other EQs. On a normal EQ, a low-shelf boost on a kick drum will yield muddiness rather than delicious oomph. A low cut on a low male vocal removes plosives but at the expense of low-end richness. SplitEQ gives you the surgical control to address the problematic part of a sound without losing the magic and without the need for additional tools.\u003c\/p\u003e\n\u003cp\u003eSplitEQ is not just a corrective tool, it is also a new type of creative tool for taking your mixes to new heights through its independent L\/R and Mid\/Side panning. With SplitEQ every source is split into a pair of sonically distinct elements offering your music, mixes, and audio signals an extraordinary new level of musicality.\u003c\/p\u003e\n\u003ch3\u003eSplitEQ Applications\u003c\/h3\u003e\n\u003ch3\u003eEnhance\u003c\/h3\u003e\n\u003cp\u003eWith independent control of the Tonal and Transient elements of an instrument, SplitEQ can be used to deliver punch, detail, sheen, breathiness, diction, tightness, thump, and pluck.\u003c\/p\u003e\n\u003ch3\u003eRepair\u003c\/h3\u003e\n\u003cp\u003eA unique audio repair and restoration tool, SplitEQ allows you to surgically tune the Transient and Tonal response independently. Remove a kick drum’s boom without losing its thump.\u003c\/p\u003e\n\u003ch3\u003eRebalance\u003c\/h3\u003e\n\u003cp\u003eSplitEQ allows versatile track placement in a mix. Easily perform multiple tasks not possible with any other EQ, like softening electric guitar strums while boosting cab reverb.\u003c\/p\u003e\n\u003ch3\u003eWiden\u003c\/h3\u003e\n\u003cp\u003eSplitEQ allows for precise multi-band stereo image manipulation of the Tonal and Transient elements of each frequency band. L\/R and Mid\/Side panning are supported. Spatialize a beat like never before.\u003c\/p\u003e\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"list-style: disc; padding-left: 1.5em; margin: 0;\"\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eWorld-class 8-band parametric EQ with pristine musical filters\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eEQ Transient and Tonal parts of a sound separately using Eventide’s patented Structural Split™ technology\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eControl Transient and Tonal Output levels\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eEnhance the stereo-field with continuous Transient and Tonal panning controls (L\/R and Mid\/Side modes)\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eControl the underlying Split technology for fine tuning and experimentation\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eGlobally scale the EQ curves together or independently\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003ePeak, Notch, Bandpass, High Shelf, Low Shelf, Tilt Shelf, High Pass, and Low Pass filter types with slopes from 6 to 96 dB\/octave\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eInnovative real-time spectrum analyzer displays the Transient and Tonal streams independently\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eComprehensive Presets Library includes 150+ presets\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eA\/B buttons allow quick auditioning of two presets or settings plus Undo\/ Redo functionality\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eResizable GUI with zoom options\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eThree Color Schemes: Original, Dark and Colorblind Accessible\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eSystem Requirements\u003c\/h3\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003emacOS\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e macOS\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-3, AU, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 64_bit\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003eWindows\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e Windows\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, VST-3, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 64_bit\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":53936038773059,"sku":"XCH-1247-70","price":605.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/thumbnail_SplitEQScreenshot2x.png?v=1764255355"},{"product_id":"tverb","title":"Tverb","description":"\u003ch3\u003eA Room of Your Own\u003c\/h3\u003e\n\u003cp\u003eDeveloped with legendary producer, musician, and engineer Tony Visconti, Tverb provides an extremely customizable room reverb with some unique techniques and features. Within this virtual room (modeled on the legendary Meistersaal at Berlin’s Hansa Tonstudios) you can mix three virtual channels: one main mic with subtle ambience and two moveable mics capturing the lush room reverb.\u003c\/p\u003e\n\u003ch3\u003eNear \u0026amp; Far\u003c\/h3\u003e\n\u003cp\u003eTverb is a reverb unlike any other. Start with a perfect room and configure it to taste by adjusting the standard reverb controls of decay, diffusion, and EQ to create the ambience that brings your tracks to life. Now, place a couple of additional microphones anywhere in that room. Move them around until the track sits perfectly in your mix. Set the mics’ gates to open with the dynamics of the track. Tverb gives you control of all of these parameters and more. And, because Tverb is algorithmic, you can do it all in real-time (which wouldn’t be possible with a convolution reverb). You can even have your mics dance around the room in real-time. Impossible in real life; a snap in Tverb.\u003c\/p\u003e\n\u003ch3\u003eOpen the Gates\u003c\/h3\u003e\n\u003cp\u003eWith analog-modeled compression on the main channel and gating on the reverb channels, Tverb is a unique tool for audio with wide dynamic range. The inspiration for the plug-in was the setup Visconti used to capture the incredible dynamic range of David Bowie’s vocals while recording “Heroes.” Tverb builds on Visconti’s technique and opens up undreamed of possibilities.\u003c\/p\u003e\n\u003cp\u003e“Little did I know that setting up three microphones in a very specific configuration 40 years ago would result in such a versatile plug-in for the new age of recording. Eventide’s Tverb is the result of a two-year collaboration between Eventide and me. This is not a one-trick-pony just to get the David Bowie ‘Heroes’ vocal effect. The applications are limitless. I love the dancing microphones.” - Tony Visconti\u003c\/p\u003e\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"list-style: disc; padding-left: 1.5em; margin: 0;\"\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003e2 Moveable microphones to adjust depth of field and room reflections\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eAdjustable polar patterns for microphone 1 to adjust the amount of ambient room tone\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eEventide’s complex reverb algorithm with EQ, diffusion, and decay control\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eCompressor module on microphone 1, just as Visconti had in the original session\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003e2 linkable, post-reverb gate modules with control of when the gates close, the speed at which they close, and the length of time they are forced to stay open\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eConsole (inspired by the one used in the session, including Visconti’s ‘grease pencil’ labelling) that provides post-reverb channel processing for each individual mic and the master\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eRoom mixer module alters the sound of the room itself with control over decay, diffusion, and frequency response\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eLight weight! Low CPU loading allows you to put Tverb on multiple tracks\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eSignal inversion buttons to remove (or create) phase cancellation\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eMix Lock allows for scrolling through presets or settings while keeping the wet\/dry mix constant\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eComplete automation support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eSystem Requirements\u003c\/h3\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003emacOS\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e macOS\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-3, AU, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 64_bit\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003eWindows\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e Windows\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, VST-3, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 64_bit\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":53936059941187,"sku":"XCH-1247-8","price":1205.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/Tverb-1861x2048.png?v=1764255512"},{"product_id":"eq45","title":"EQ45","description":"\u003cp\u003eThe EQ45 is a lightweight, four-band parametric equalizer plug-in that allows you to gracefully shape the contours of an audio signal by boosting or attenuating its frequency components. Based on the circuit model of the analog Urei 545 parametric EQ, the plug-in features high and low-cut filters along with an elegant and easy-to-use interface. The classic Urei 545 was the ‘go to’ EQ for a generation of engineers favored for its tone and color. The high resolution and flexibility of its filters and the wide number of parameters offered by the user interface enable you to perform subtle or drastic changes to audio material without unpleasant artifacts.\u003c\/p\u003e\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"list-style: disc; padding-left: 1.5em; margin: 0;\"\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eEmulation of the analog Urei 545 EQ\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003e4-band parametric EQ with Gain and Width controls\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003e24 dB\/ octave High Cut and Low Cut Butterworth filter sections\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eEQ In\/Out toggle. 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Its two-band notch\/band pass filter set allows you to quickly find a selected frequency to boost or cut. Target frequencies also may be attenuated in gradations by using the notch filters in conjunction with the depth controls.\u003c\/p\u003e\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"list-style: disc; padding-left: 1.5em; margin: 0;\"\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eEmulation of the analog Urei 565 filter set\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003ePowerful 36 dB\/octave High Pass and Low Pass filters\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eTwo switchable Notch\/ Band Pass filters\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eUse Band Pass to identify unwanted frequencies, then switch to Notch to cut them with very narrow Q settings\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eIn\/Out switch and indicator\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eSeveral instrument and special effect presets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eSystem Requirements\u003c\/h3\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003emacOS\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e macOS\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-3, AU, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 64_bit\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003eWindows\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e Windows\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, VST-3, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 64_bit\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":53936063971651,"sku":"XCH-1247-96","price":395.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/EQ65Screenshot.png?v=1764255564"},{"product_id":"spacelab-interstellar","title":"Spacelab Interstellar","description":"\u003cp\u003eThe dawn of a new era.\nWhether you produce music or mix for film\/video, broadcast, games, or VR\/AR, Spacelab opens up a revolutionary new way of putting all of your tracks into the right acoustic perspective.\u003c\/p\u003e\n\u003cp\u003eSpacelab is more than just reverb, more than just panning, and more than just spatial audio. It combines these three into one plugin because they naturally belong together.\u003c\/p\u003e\n\u003cp\u003eThe future of audio is object-based.\nThe time is over when complicated routing was necessary for achieving great mixes with everything in its right place. Treating audio as objects in space, as it is natural for human beings, Spacelab removes the burden of complicated or sometimes even impossible routing for natural-sounding spatialization and reverb.\u003c\/p\u003e\n\u003cp\u003eThe future of audio is 3D.\nOn the verge of a listening revolution where 3D audio becomes mainstream and is accessible to everyone over headphones and soundbars, Spacelab provides a comprehensive solution for 3D-audio production with the ease of use of a plugin. 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An example is the ability to freely assign Sections to either stereo [left\/right] or sum\/difference [L+R\/L-R] at the same time.\u003c\/p\u003e\n\u003ch3\u003eSubtle Functionality\u003c\/h3\u003e\n\u003cp\u003eWe’ve brought pristine fidelity and innovative user interface design to what used to be an unremarkable product category. With four monitoring modes, an ergonomic and uncluttered interface, intelligent monitor auto–gain plus crazy good sound, you’ve got to try thEQorange for yourself.\u003c\/p\u003e\n\u003ch3\u003eBetter By Design\u003c\/h3\u003e\n\u003cp\u003eWhether you’re looking for surgically precise repair, colorless correction, or simply baggage–free spectral contouring, our proprietary, precision algorithm delivers on the promise of linear phase correction. 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color: #555;\"\u003eExclusive dual view, monochrome\/color real time spectrogram with user adjustable temporal wiper lets you choose “when” to transition to low clutter monochrome\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eChoice of parametric editing via numerical fields or directly on the graphical display\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eComplete setup exchange across multiple instances\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eSystem Requirements\u003c\/h3\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003emacOS\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; 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There is no other æsthetic equalizer like thEQred. With its ability to invisibly provide spectral counterweight to mixes that lean one way or another, thEQred excels at straightening up biased content. Add crystalline air without stridency to a dark mix, or beef up lower mids and bass without bloat or loss of focus. With twelve bands or Sections of precision, linear phase parametric equalization featuring unique shelving filters, mastery of complex mixes without changing their overall sonic character is just a few clicks away.\u003c\/p\u003e\n\u003cp\u003eA little backstory…An idea was born to reissue this masterpiece, along with the other legendary Algorithmix EQs, and make it available as 64 bit in all common formats and (finally!) for macOS. As a power user, our visionary Friedemann had some ideas in mind regarding the improvements. Specifically, he wanted to make the user interface, the UI, more flexible and faster to use because there is no other tool in the mastering chain that receives as much “seat time.” The result: Our thEQ UI and feature set. The UI affords super fast setup and includes a number of unique features which help to speed your work: The positive \u0026amp; negative Contribution function including absolute difference, the highly adjustable sonogram which makes detecting problem spots easy, and the possibility to play a note on the keyboard that you have in your head and then snap a Section to that respective frequency with one click. Also, having all twelve Sections visible simultaneously, not to mention the SORT button function.\u003c\/p\u003e\n\u003ch3\u003eFrequency Forward\u003c\/h3\u003e\n\u003cp\u003ethEQred works in the frequency domain. That is, the input signal is first transformed into a spectral representation. Then, that spectral equivalent is operated upon. Special measures have been taken to ensure high resolution at critical low frequencies while keeping time resolution untouched. Unlike other frequency-domain filters, this avoids drums or other instrument containing strong transients from being blurred. In addition, extremely high compute resolution has been used to avoid any cumulative truncation effects typical in complex frequency transforms. This results in unblemished sound quality.\u003c\/p\u003e\n\u003cp\u003eThere are other plug–ins on the market using frequency–domain techniques. Most of them apply relatively low frequency resolution and then claim that frequency response mathematically interpolated between a few set points or that freehand drawing is the best solution. This may be true for some industrial applications, but such filters simply don’t sound musical. We’ve worked hard to insure that filter shapes in thEQred exactly match the best analog references. The result is sonic quality that is undisputed, even at baseband 44.1 and 48 kHz rates.\u003c\/p\u003e\n\u003ch3\u003eUnobtrusive Power\u003c\/h3\u003e\n\u003cp\u003e“An equalizer should have no, ideally, should have no distortion of its own. It’s almost impossible to do it without some distortion but, that’s the aim. So, if you can do that…Now there are a lot of equalizers about, where people have just taken a circuit out of some reference book and hoped for the best and they’ve never really succeeded because they haven’t taken into account all these other things.” — Rupert Neve on EQ in Rupert Neve: The SOS Interview on YouTube\u003c\/p\u003e\n\u003cp\u003ethEQred was designed to deliver the highest possible linearity down to subsonic frequencies. This and other powerful features hide behind its clean and simple UI. Eye candy is great for newbies, but thEQr isn’t your typical filter: thEQred packs all the advanced features you need into one resizable window that’s easy on the eyes. Not only does the UI “get out of the way” so you can be more productive, we’ve incorporated industry–first features that speed your workflow, neatly packaged to make thEQred easy and intuitive to use.\u003c\/p\u003e\n\u003ch3\u003eBetter By Design\u003c\/h3\u003e\n\u003cp\u003eWhether you’re looking for gentle rehabilitation, colorless correction, or simply baggage–free spectral contouring, our proprietary, precision algorithm delivers on the promise of linear phase EQ. Bring the power and purity of thEQred to bear for all your critical equalization tasks.\u003c\/p\u003e\n\u003cp\u003eAs Friedemann says, “It’s all about the curves.” Along with all the features of our thEQ family, thEQred incorporates a unique and proprietary filter technology allowing you to adjust any slope between nearly 0 and 24 dB\/octave. Almost any filter needed or desired can be dialed in quickly and easily, from broad shallow strokes to cascaded deep cuts.\u003c\/p\u003e\n\u003ch3\u003eLinear Phase Royalty\u003c\/h3\u003e\n\u003cp\u003eMost all parametric equalizers or PEQs are implemented via phase shift. That is, the incoming dry signal is mixed with a phase–shifted version. Because the amount of the phase shift is frequency dependent, some cancellation or reinforcement occurs at the desired frequency. It gets the job done, but with a major disadvantage: the different signal components of the resulting audio become spread out in time, so time relationships between harmonics in the filtered output is heavily altered. The result: a nice sharp attack becomes slurred and muddy or worse, strident and brittle.\u003c\/p\u003e\n\u003cp\u003ethEQred changes all that, providing profoundly punchy lows and airy, silky smooth highs like no other. It preserves the time relationships of harmonics, which translates into a smoother top end, sweeter and bigger midrange, and a clearer, more distinct bottom when compared to phase shift–style EQs. The resultant sound seems less processed, more like what should have naturally been captured by the microphone. You won’t get those punchy transients and silky highs with analog outboard or any ol’ IIR digital.\u003c\/p\u003e\n\u003ch3\u003eVersatile VariSlope\u003c\/h3\u003e\n\u003cp\u003eIn addition to all the user–centric features that MAAT brings you, like Panorama mode and Contribution controls, thEQred features VariSlope™ technology, proprietary to thEQr. With VariSlope, shelving and cut filters offer continuous adjustment of any slope in the range from near 0 to 24 dB\/octave. Unlike other EQs that let you define or draw the curve, VariSlope offers unique versatility while preserving the sound quality MAAT EQs are known for.\u003c\/p\u003e\n\u003cp\u003eThe exclusive VariSlope filter technology lets you dial in continuous slope filters that emulate any critically damped shelf in the range from 1st to 4th order, including all imaginary filters in between. “Imaginary” because critically damped filters offer only slopes in discreet 6 dB\/octave steps per “order”: 6, 12, 18, 24 et cetera. Our continuous slope low and high cut filter performs similarly, yet you can continuously change its slope from a critically damped 4th order equivalent, through 3rd, 2nd, and 1st order down to zero. The critically damped VariSlope high cut mirrors the continuous slope VariSlope low cut.\u003c\/p\u003e\n\u003cp\u003eSuch “in–between” frequency-response filter characteristics, especially with slopes less than 6 dB\/octave, are absolutely impossible to implement with classical filter technology. The only workaround would be to cascade many 1st order filters with specially weighted amplitudes to get the overall amplitude envelope lower then 6 dB\/octave. Such kludgy filters, however, deliver a wavy frequency response characteristic and are tainted with nasty phase shift and group delay. Quite the opposite, our VariSlope filter affords very smooth, controlled spectral changes without any phase shift.\u003c\/p\u003e\n\u003cp\u003ethEQred works strictly in the frequency domain, while sounding a bit softer than her linear phase sister, thEQorange. Performing at up to 384 kHz, which extends resonant frequency settings up to 80 kHz, it’s perfect for high resolution DSD, DXD and game audio post–production. Its calculations are stored at 80 bits of precision, way more than 32 bit commodity EQs and more than what even fancy 64 bit EQs manage. The result: the construction of your composite filter is impeccable, with vanishingly low THD and without loss of very low amplitude detail.\u003c\/p\u003e\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"list-style: disc; padding-left: 1.5em; margin: 0;\"\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eFive Panorama modes; stereo, mono (L+R), left–only, right–only and difference (L-R) for focused treatment or enhancement\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eTwo Stereo modes; Left\/Right or Mid\/Side\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eFour Contribution modes; positive addition only, negative addition only, EQ contribution only, and “normal” EQ out help you to keep track of your progress\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eExtended frequency range covers the ultrasonic, suitable for any HRA post\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eEqual delay at all frequencies independent of filter settings, perfectly preserving the time relationship of harmonics\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eNo phase distortion and no temporal dispersion, eliminating transient smear\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eFreedom from unwanted coloration for exceptional clarity, transparency, and definition\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eExclusive VariSlope technology offers shelf and cut filters with any roll-off in the range of 6 to 24 dB\/octave as well as continuous slope adjustment below 6 dB\/octave, impossible with any classic filter\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eTwelve Sections with eight freely assignable parametric filter types: classic bell, high or low shelf, high or low cut as well as VariSlope high or low shelf, and high or low cut\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eAdjustable Q for shelving and cut filters\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eProprietary algorithms deliver extraordinarily low distortion and noise\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eFor ultimate fidelity, deep 80 bit super double precision internals virtually eliminate rounding errors and distortion\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003ePerfect emulation of analog filter characteristics, clearly perceptible when equalizing audio at baseband sample rates\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eExtremely shallow VariSlope shelves for gentle brightening or added weight\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eCascade cut filters for “brick wall” characteristics\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eResizable UI for easy and precise adjustments or for ultra–high resolution displays\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eMAAT’s smart AutoGain for effortless A\/B comparisons\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eInbuilt tone generator makes for quick location of trouble spots\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eSORT function eliminates the need for busy, distracting UI elements\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eTUNE function aligns center frequencies to Western tunings\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eGrid snap toggles between surgical and musical applications, emulating popular hardware resonant frequency choices, including Maselec and Manley\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eOperates at up to 384 kHz sample rates for HRA or game audio workflows\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eSystem Requirements\u003c\/h3\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003emacOS\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e macOS\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eRAM:\u003c\/strong\u003e 2 GB\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, VST-3, AU, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 64_bit\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eAdditional Requirements:\u003c\/strong\u003e OpenGL 3.2 or newer\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eInternet:\u003c\/strong\u003e Required\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003eWindows\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e Windows\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eRAM:\u003c\/strong\u003e 2 GB\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, VST-3, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 32_bit, 64_bit\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eAdditional Requirements:\u003c\/strong\u003e OpenGL 3.2 or newer\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eInternet:\u003c\/strong\u003e Required\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MAAT","offers":[{"title":"Default Title","offer_id":53936385720643,"sku":"XCH-1414-1001","price":4035.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/product-theqred-42b9d07b.png?v=1764259303"},{"product_id":"santacruzeq12","title":"SantaCruzEQ12","description":"\u003ch3\u003eYes, Your Blueness\u003c\/h3\u003e\n\u003cp\u003eWhy develop yet one more parametric equalizer (PEQ) when there’s already hundreds on the market? The answer is simple…’Cuz there was room for improvement! It was customers of the original LinearPhase PEQ Red and Orange who asked Algorithmix to develop a classic EQ, for recording and mixing tasks, with unparalleled purity and transparency. Over several years, our Dr. Christoph closely analyzed many of the best out there, and compiled a vast knowledgebase of analog EQ best practices. Cherry picking from that, he implemented not just one or two, but an entire collection of trad minimal phase EQs. The result? A distillation of analog antecedents, while others are based on new ideas.\u003c\/p\u003e\n\u003cp\u003eWe know you’ll enjoy our dozen variations of blueness, and will find your favorite sound. We’ve also added subtle but important touches, like the ability to “group” all Sections and make a global gain change without disturbing the relationship of individual Sections.\u003c\/p\u003e\n\u003ch3\u003eThe Twelve\u003c\/h3\u003e\n\u003cp\u003eWe wanted to lift analog to another level, so we reverse engineered a variety of well respected hardware EQs, creating idealized digital versions from that inspiration. Rather than models or simulations that carry analog baggage, SantaCruzEQ has no noise, distortion or other secondary effects inherited from analog.\u003c\/p\u003e\n\u003cp\u003eSantaCruzEQ is a collection of classic equalizer Architectures, assembled into one package. You get precise, idealized examples of legendary analog equalizer circuitry, complemented by progressive new models. Whether it’s vintage, modern, or experimental, SantaCruzEQ is an affordable, light weight sonic sandbox for every mixing and mastering engineer to play in.\u003c\/p\u003e\n\u003ch3\u003eBFF\u003c\/h3\u003e\n\u003cp\u003eThe equalizer is perhaps the oldest and the most popular of sound processing tools. From its earliest days, the main function was correction or enhancement by boosting or cutting certain frequencies.\u003c\/p\u003e\n\u003cp\u003eFor a century, engineers have developed countless equalizers. A few became legend, our thEQorange is one. The most popular version in recording and post is the parametric equalizer or PEQ, first perfected by Massenburg in 1972. It offers maximum flexibility with only three controls. Properly used, the PEQ is a powerful tool and the best friend of every audio engineer in the quest for perfect sound. As Spidey (and Voltaire) always reminds us though, “With great power comes great responsibility.” When designed by a clueless or cost–constrained software engineer, it can be your greatest sonic enemy.\u003c\/p\u003e\n\u003ch3\u003eChoice Is Good\u003c\/h3\u003e\n\u003cp\u003eIn order to give you a choice of features and price, SantaCruzEQ is available in two versions: • SantaCruzEQ6,  with 6 Architectures; No.s 1 through 6; • SantaCruzEQ12, with all 12 Architectures\u003c\/p\u003e\n\u003ch3\u003eIron Maiden\u003c\/h3\u003e\n\u003cp\u003eThe contribution of distortion to the specific sound of a particular analog equalizer caused by its respective electronics is largely what makes it “good.” Usually though, non–linear distortion, horrific group delay and other deficiencies produce more “nasty” than “magic.” Our philosophy, for PEQ design, has always been to make filters as precise and clean as possible. For controlled distortion, we recommend high quality tape emulation, a well made pedal or other carefully applied studio magic.\u003c\/p\u003e\n\u003ch3\u003eComprehensive\u003c\/h3\u003e\n\u003cp\u003eWith SantaCruzEQ, you can simultaneously call up six Sections from one of the twelve Architectural styles available. For four of those Sections, choose from nine freely assignable filter topologies, including bell, first and second order low or high shelf along with first and second order low or high cut. The most significant filter types bearing the equalizer name are bells or peaking filters. Set to a particular Q, different bells change their bandwidth depending on the amount of boost or cut making comparison difficult between Architectures.\u003c\/p\u003e\n\u003ch3\u003eHow to Compare Architectures…\u003c\/h3\u003e\n\u003cp\u003eIn order to make meaningful comparisons of different Architectures you must be aware of two factors:\u003c\/p\u003e\n\u003cp\u003e1. All 12 equalizer Architectures are normalized to have exactly the same bell shape for 6dB of boost. If you use just one bell filter at +6dB, you will get the same audible result for all types. This normalization of the Q or Quality Factor is a unique MAAT feature, and distinguishes our typologies from their analog antecedents because many of the originals have undefined Q definitions due to the limitation of analog technology. The normalization allows you to compare the different EQ Architectures in SantaCruzEQ with ease.\u003c\/p\u003e\n\u003cp\u003e2. A single minimal phase bell filter with identical shape will sound the same regardless of Architecture. The difference between styles becomes obvious when you have activated more bells and other filters so that they start to interact with each other. This will reveal the different characteristics of each Architecture, in terms of phase interaction and different gain and Q relationships.\u003c\/p\u003e\n\u003ch3\u003eLearn More\u003c\/h3\u003e\n\u003cp\u003eFor much more information on SantaCruzEQ and its Architectures, please visit \u003chttps:\u003e.\u003c\/https:\u003e\u003c\/p\u003e\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"list-style: disc; padding-left: 1.5em; margin: 0;\"\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eOne dozen different equalizer types: 10 serial \u0026amp; 2 parallel\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eDifferent Q characteristics: classic, constant–Q, proportional, ideal–Q and special\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eTrue high resolution emulation of analog equalizers, not modeling: no added noise, distortion or other non–linearities\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eSupport for up to 384 kHz sample rate, suitable for HRA and game production and post\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eExtended center frequency up to 80 kHz for filtering and correction in the ultrasonic\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eBell filters in all PEQ types are normalized to look identically at +6 dB of gain and Q of 0.71, ideal for quick comparisons between types\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eExtremely low noise and low nonlinear distortion algorithms result in residual THD+N significantly lower than 24 bit quantization noise\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eAdjustable Q Factor for shelving and cut filters\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eMultiple low and high cut filters can be overlapped to achieve brickwall slopes\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eVery low noise and distortion upsampling for analog–like filters at baseband sample rates\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003e80 bit internals (long double floats) virtually eliminate rounding errors\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eResizable and zoomable frequency response rendering for precise adjustments\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eParameter editing via numerical fields or directly on the Graph\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003ePresets with Undo\/Redo for quick setup comparison\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eSeveral instances, each with different PEQ architectures, can be opened simultaneously\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eBand grouping function lets you simultaneously alter ƒ, Q and gain for multiple Sections\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eƒ lock function when you’ve found your resonant frequency and want to alter just Q or gain\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eTrue Peak metering alerts you to TP overs\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eSort button rearranges Sections in order, from low to high, with a single click\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eSystem Requirements\u003c\/h3\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003emacOS\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e macOS\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eRAM:\u003c\/strong\u003e 2 GB\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, VST-3, AU, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 64_bit\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eAdditional Requirements:\u003c\/strong\u003e OpenGL 3.2 or newer\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eInternet:\u003c\/strong\u003e Required\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003eWindows\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e Windows\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eRAM:\u003c\/strong\u003e 2 GB\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, VST-3, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 32_bit, 64_bit\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eAdditional Requirements:\u003c\/strong\u003e OpenGL 3.2 or newer\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eInternet:\u003c\/strong\u003e Required\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MAAT","offers":[{"title":"Default Title","offer_id":53936404463939,"sku":"XCH-1414-1008","price":1609.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/product-santacruzeq-a2aae5b4.png?v=1764259478"},{"product_id":"santacruzeq6","title":"SantaCruzEQ6","description":"\u003ch3\u003eLearn More\u003c\/h3\u003e\n\u003cp\u003eSantaCruzEQ6 is the six Architecture version of SantaCruzEQ12. Architectures No.s 1-6 are all series topology, and make for an excellent entry into the aural world of our equalizers. Four full featured sections are available, along with two Sections of shelves and cut filters.\u003c\/p\u003e\n\u003cp\u003eFor more information on SantaCruzEQ6, please visit our SantaCruzEQ12 product in XCHANGE. For a complete view of SantaCruzEQ features and benefits, visit us on the web at www.maat.digital.\u003c\/p\u003e\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"list-style: disc; padding-left: 1.5em; margin: 0;\"\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eSix Sections total, with four having freely assignable parametric filter variants: bell; multi–order high \u0026amp; low shelf; multi–order high \u0026amp; low cut.\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eTwo “outer” Sections, the first and last, offer multi–order high \u0026amp; low shelf and multi–order high \u0026amp; low cut.\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003ePlus, all the other SantaCruzEQ features, and that great thEQblue sound!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eSystem Requirements\u003c\/h3\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003emacOS\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e macOS\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eRAM:\u003c\/strong\u003e 2 GB\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, VST-3, AU, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 64_bit\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eAdditional Requirements:\u003c\/strong\u003e OpenGL 3.2 or newer\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eInternet:\u003c\/strong\u003e Required\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003eWindows\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e Windows\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eRAM:\u003c\/strong\u003e 2 GB\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, VST-3, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 32_bit, 64_bit\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eAdditional Requirements:\u003c\/strong\u003e OpenGL 3.2 or newer\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eInternet:\u003c\/strong\u003e Required\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MAAT","offers":[{"title":"Default Title","offer_id":53936408101187,"sku":"XCH-1414-1009","price":1365.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/product-santacruzeq-a2aae5b4_335074a3-6d68-4ef6-818f-f8c9668d7fa7.png?v=1764259505"},{"product_id":"mh-sonic-eq","title":"MH Sonic EQ","description":"\u003cp\u003efor Lucasfilm’s SoundDroid project, and then expanded for the Sonic Solutions mastering DAWs in the ’90’s and early 2000’s.\u003c\/p\u003e\n\u003cp\u003eIn 2007 Sonic EQ was re-created and enhanced for the Metric Halo-designed Sonic Studio 30x Interfaces. The Sonic Studio 30x version of Sonic EQ went back to first principals, updating the UI and engine.\u003c\/p\u003e\n\u003cp\u003eMH Sonic EQ today is a 6-band fully parametric equalizer in which every band in the EQ supports 2nd to 8th order filters using an updated, low-noise 64-bit state-space EQ structure with the core Sonic EQ coefficients.\u003c\/p\u003e\n\u003cp\u003eIn every generation of Sonic EQ, three primary characteristics have remained consistent:\u003c\/p\u003e\n\u003cp\u003e1. The sound - a full, sweet yet powerful musicality which brings a presence and clarity to anything you pass through it.\n2. Its precision - with high-order slopes and a high degree of control over filter ripple, both in-band and out, Sonic EQ makes it easy to manage very specific frequency content with minimal effect on surrounding program.\n3. Its unrivaled versatility.\u003c\/p\u003e\n\u003cp\u003eWhether you work in forensic restoration, sound design, high-end mastering, post-production, recording, re-recording, multi-tracking or live sound, the power and simplicity of this EQ will get you the sound you are looking for faster and sounding better than you may be willing to believe.\u003c\/p\u003e\n\u003cp\u003eYou will find you can make EQ curves with Sonic EQ that look completely broken, yet still sound perfectly clean and natural.\u003c\/p\u003e\n\u003cp\u003eSonic EQ also provides a special set of laboratory-grade filters for vinyl (RIAA encode and decode) and early generation digital formats transfer (DC removal and digital de-emphasis).\u003c\/p\u003e\n\u003cp\u003eIt is no understatement to say the Sonic EQ has been and still is one of the most highly respected and coveted digital equalizer packages on the planet.\u003c\/p\u003e\n\u003cp\u003eThis version of Sonic EQ, originally incorporated exclusively in the hardware DSP of Sonic Studio branded Model 30x audio interfaces is now reborn as an AAX, VST and AU plug-in for Mac and Windows DAW users with a cleaner layout, SpectraFoo™ spectrum analysis and level metering and an even higher order of musicality, precision and power.\u003c\/p\u003e\n\u003cp\u003eTry It Free for 30 Days\nWe want you to hear how Metric Halo can bring your mixes to the next level – that’s why we have a free, fully functional 30-day trial of all the Production Bundle plugins included in the Production Bundle Trial.\u003c\/p\u003e\n\u003cp\u003eTry all the plugins in the Production Bundle for yourself today!\nhttps:\/\/mhsecure.com\/products\/software\/MHSonicEQ_v4.html\u003c\/p\u003e\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"list-style: disc; padding-left: 1.5em; margin: 0;\"\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eWorld-class Signal Processing and Workflow\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eUsed by Grammy-Award winning Engineers on countless hits\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003e6-band Fully Parametric interpolated State-Space EQ\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eAll parametric bands support up to 48-dB per octave (8th order) filters\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eOne Special band for RIAA Encode or Decode or De-emphasis\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eSpectraFoo™ spectrum analysis built-in\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eSpectraFoo™ level metering built-in\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eScalable gain reduction meters\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eMany presets included\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eAdjustable UI size \/ Disclosable Graphs\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eMH Preset Manager - Provides cross-platform presets\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eAll plugins support AU, AAX, VST2 and VST3 on macOS.\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eAll plugins support AAX, VST2, and VST3 on Windows.\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eLicense includes two activations for your iLok account.\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eYou may install your license on your computer, the iLok Cloud, or on an iLok Smart Key Dongle. Note: iLok dongle is not included with software purchase, and is not required for use of the software.\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eOnly one license required – works on all supported platforms.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eSystem Requirements\u003c\/h3\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003emacOS\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e macOS\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, VST-3, AU, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 64_bit\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eAdditional Requirements:\u003c\/strong\u003e Once you deposit the iLok license into your iLok account there will be a $10.00 restocking fee for returns.  Please verify that this product suits your needs before purchasing it by taking advantage of our FREE 30-DAY DEMO available via the Product Inform\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003eWindows\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e Windows\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, VST-3, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 64_bit\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eAdditional Requirements:\u003c\/strong\u003e Once you deposit the iLok license into your iLok account there will be a $10.00 restocking fee for returns.  Please verify that this product suits your needs before purchasing it by taking advantage of our FREE 30-DAY DEMO available via the Product Inform\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"2012-A","offers":[{"title":"Default Title","offer_id":53936454926659,"sku":"XCH-1041-43","price":800.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/041-11010__MHSonicEQ_v4_940x1019_f21700ad-1de6-49f4-9d0c-1524e5270f34.png?v=1764260575"},{"product_id":"u-he-twangstrom","title":"u-he Twangstrom","description":"\u003cp\u003eA flexible spring reverb box-of-tricks. If you're familiar with Bazille, you might already have come across its built-in spring unit. We took that one, then modelled two more reverb tanks, paired it with drive section, filter stage, envelope, and mod matrix. It emulates a hand-picked selection of the most popular units you will find in classic guitar and instrument amplifiers, recreating the odd character of real springs.\u003c\/p\u003e\n\u003cp\u003eAs a faithful emulation of a mechanical device, Twangstro?m needs to be handled well. Many of the technical parameters are user-adjustable in real time, and these can be controlled via MIDI or using the internal LFO and envelope generator. With its multimode resonant filter, Twangstro?m is a unique and powerful tool which can deliver highly unusual, evolving textures… especially when the signal is tossed around using the modulation matrix!\u003c\/p\u003e\n\u003ch3\u003eShakeable springs\u003c\/h3\u003e\n\u003cp\u003eHitting your computer won’t make Twangström shatter, so we added a twang control. This is used to shake the springs, either manually or through modulation and automation. You might think this is a gimmick for which you have no further use (apart from waking up the neighbours), but if you modulate it slightly, everything comes to life!\u003c\/p\u003e\n\u003ch3\u003eTank controls\u003c\/h3\u003e\n\u003cp\u003eTwangström's reverb is based on physical modelling. As opposed to plug-ins based on impulse responses (IR), our approach mimics the physics of mechanical reverberation. By simulating the wavefront travelling through a medium, we can include all the aspects of excitation, reflection, dispersion, interference, and other audio properties. Twangström does not mimic the sonic result, but simulates the physical device. This means that all dimensions of the device are controllable in realtime, on a per-sample-basis – which all boils down to quite some power at your fingertips!\u003c\/p\u003e\n\u003ch3\u003eEnvelope\u003c\/h3\u003e\n\u003cp\u003eThe envelope in Twangström features 4 different modes and can pick up the signal from either input, output or external sidechain. You can select between Envelope Follower, Attack and Decay, Attack and Release, or Cyclic modes. The last one is similar to a 2-stage LFO. Shown controls will adapt to the selected mode, with Threshold not appearing while in Envelope Follower mode.\u003c\/p\u003e\n\u003ch3\u003eModulation Matrix\u003c\/h3\u003e\n\u003cp\u003eThe modulation matrix has three general purpose modulation slots, and yes, you can select shake as one of many targets to modulate the Twang control!\u003c\/p\u003e\n\u003ch3\u003eLow Frequency Oscillator\u003c\/h3\u003e\n\u003cp\u003eThe LFO features different time bases, including a non-synchronized one measured in seconds. Synchronized options include both dotted times and triplets. 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Envelop your sound in breathtaking textures of unbelievable clarity while creating living, breathing space in real time with Comet’s unique preset morphing capabilities. Experience trails of beauty that are pristine, dramatic, and one-of-a-kind.\u003c\/p\u003e\n\u003ch3\u003eTRAILS OF BEAUTY\u003c\/h3\u003e\n\u003cp\u003eComet is best designed for creating beautiful trails of sound. It does not aspire to model the physics of a room. Instead, it captures the essence of a beautiful reverb. Elevate your vocals to glow within your mixes. Polish your melodic instruments to shine with the lush richness of Comet’s quality. Breathe even more life into your music by using Comet to add unique textures to your ambient sound effects.\u003c\/p\u003e\n\u003ch3\u003eREVOLUTIONARY PRESET MORPHING\u003c\/h3\u003e\n\u003cp\u003eComet’s advanced morphing capabilities best sets it apart from more conventional reverb plug-ins. 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PSP E27 offers three-band equalization with nine selectable frequencies in a standard 500x package.\u003c\/p\u003e\n\u003cp\u003eThis equalizer offers +\/-16dB of control at musically selected frequency ranges, and offers gentle saturation. Low and high filters can work in bell or shelf mode with a single click. The E27 EQ is suitable for both mixing and mastering and offers additional preamp stage for global level control. This EQ plug-in also accurately emulates the nonlinear behavior of analog devices.\u003c\/p\u003e\n\u003cp\u003eThe additional PSP E27se (included in the bundle) is a simplified version of PSP E27. The PSP E27se is based on the same great audio engine, but it has a redesigned, simpler GUI making quick adjustments a snap. The PSP E27se is equipped with one E27 and one PA11 module.\u003c\/p\u003e\n\u003cp\u003ePSP is the sole developer and manufacturer of the PSP E27. Functionality and sound of the PSP E27 have been approved by Avedis Audio Electronics. \"TransDrive™\" is a trademark of Avedis Audio Electronics. PSP is responsible for all customer support.\u003c\/p\u003e\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"list-style: disc; padding-left: 1.5em; margin: 0;\"\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eMultistage equalizer plug-in\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eOffers three-band equalization with nine selectable frequencies in a standard 500x package\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eThe PSP E27se is equipped with one E27 and one PA11 module\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eSystem Requirements\u003c\/h3\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003emacOS\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e macOS\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, VST-3, AU, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 32_bit, 64_bit\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003eWindows\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e Windows\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, VST-3, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 32_bit, 64_bit\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"PSP AUDIOWARE","offers":[{"title":"Default Title","offer_id":53936518758723,"sku":"XCH-1178-1192","price":1390.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/PSP_E27.png?v=1764262207"},{"product_id":"psp-2445-emt","title":"PSP 2445 EMT","description":"\u003cp\u003ePSP 2445 EMT is a reverb processor plug-in inspired by two legendary early digital age reverberators: the EMT® 244 and the EMT® 245. PSP thoroughly researched how to bring the specific features of those simple, yet very musical sounding reverbs to life as a plug-in.\u003c\/p\u003e\n\u003cp\u003eWe then improved from the originals with a handy set of parameters to control details of the sound and mix the reverb not available in the original hardware. PSP 2445 is capable of processing using one selected engine or both of them simultaneously.\u003c\/p\u003e\n\u003cp\u003eThe reverb algorithms implemented in PSP 2445 are based on original algorithms designed by Dr. Barry Blesser (one of the grandfathers of the digital audio revolution). 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It offers seven different filters: 12, 24, and 36 dB\/oct low cut and high cut filters; low shelf and high shelf filters which can be switched to peaking filters; and low-mid, middle and high-mid peaking filters - all with adjustable frequency and Q over a wide range.\u003c\/p\u003e\n\u003cp\u003eThe EQ graph displays an overview of the EQ curve, as well as the individual characteristics of each filter. In addition to its powerful filters, PSP MasterQ2 also offers you a selection of limiting and “soft-clipping” algorithms to help you shape your signal and keep it from digitally peaking.\u003c\/p\u003e\n\u003cp\u003ePSP MasterQ2 employs astoundingly precise 80-bit extended floating point computations in all filters to deal with any accumulation errors. It also allows for optimal filter operation at even the lowest frequencies with high gain and Q factor settings.\u003c\/p\u003e\n\u003cp\u003ePSP MasterQ2 also makes use of our our proprietary Frequency Authentication Technique algorithm. \"FAT\" is a double sampling technique which allows for proper filter operation at the highest frequencies. This mode utilizes high order linear filters to prevent phase errors and linear errors from the audio bandwidth caused by double order sampling. This technique results in double sampling without any sample rate conversion artifacts.\u003c\/p\u003e\n\u003cp\u003eWe'd love you to experience it for yourself - it has to be heard to believe! Use it as a precise, surgical EQ for mastering or a color processor for sound design and mixing. Once you try it, you'll understand what a creative sound shaping tool PSP MasterQ2 can be.\u003c\/p\u003e\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"list-style: disc; padding-left: 1.5em; margin: 0;\"\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eOperate at sampling rates ranging from 44.1 to 192kHz\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003e7 filters: 12, 24, and 36 dB\/oct low cut and high cut filters\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eEmploys 80-bit extended floating point computations in all filters to deal with accumulation errors\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eOptimal filter operation at even the lowest frequencies with high gain and Q factor settings\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eSystem Requirements\u003c\/h3\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003emacOS\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e macOS\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, VST-3, AU, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 32_bit, 64_bit\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003eWindows\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e Windows\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, VST-3, AAX\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 32_bit, 64_bit\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"PSP AUDIOWARE","offers":[{"title":"Default Title","offer_id":53936522920259,"sku":"XCH-1178-1196","price":1390.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/psp_masterq2_medium_4aadfa71-e460-4435-aea9-1b3159f9fda7.png?v=1764262337"},{"product_id":"psp-nexcellence","title":"PSP Nexcellence","description":"\u003cp\u003ePSP Nexcellence is a rich-sounding, spring emulation inspired by and modeled after “Necklace-type” reverb units. 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PSP oldTimer is not based on any specific hardware, but is inspired by vintage circuitry and we designed them to emulate our favorite characteristics of such compressors.\u003c\/p\u003e\n\u003cp\u003eIn the case of PSP oldTimer, our goal was to provide a simple compressor that offers an exceptionally musical sound while requiring minimal tweaking. PSP oldTimer is so simple and so easy to use, that it's difficult to make it sound bad even at the most extreme settings! 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This makes RetroQ sound smooth and musically natural. It’s shelf filters are based on the much lauded VintageWarmer filters, and PSP RetroQ’s addition of a mid-range filter is designed using the same internal architecture. An adjustable high pass filter is added to make the plug-in a complete program equalizer. PSP RetroQ was optimized for use on groups and entire mixes, but it is equally at home in any situation in which you desire some gentle sweetening in your overall processing chain.\u003c\/p\u003e\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"list-style: disc; padding-left: 1.5em; margin: 0;\"\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eIt’s shelf filters are based on fabulous-sounding VintageWarmer’s filters, and PSP RetroQ’s addition of a mid-range filter is designed using the same internal architecture\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eAn adjustable high pass filter is added to make the plug-in a complete program equalizer\u003c\/li\u003e\n\u003cli style=\"padding: 0.4em 0; color: #555;\"\u003eOptimized for use on groups and mixes, but it is equally at home in any situation in which you desire some gentle sweetening in your overall processing chain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003cdiv style=\"margin-top: 2em; padding-top: 2em; border-top: 1px solid #e0e0e0;\"\u003e\n\u003ch3 style=\"margin-bottom: 1em; color: #333; font-size: 1.2em; font-weight: 600;\"\u003eSystem Requirements\u003c\/h3\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003emacOS\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e macOS\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, AU, AAX, RTAS\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 32_bit, 64_bit\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 1.5em; padding: 1em; background-color: #f9f9f9; border-radius: 4px;\"\u003e\n\u003ch4 style=\"margin: 0 0 0.75em 0; color: #333; font-size: 1.05em; font-weight: 600;\"\u003eWindows\u003c\/h4\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; gap: 0.5em;\"\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eOS:\u003c\/strong\u003e Windows\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003ePlugin Formats:\u003c\/strong\u003e VST-2, AAX, RTAS\u003c\/div\u003e\n\u003cdiv style=\"color: #555;\"\u003e\n\u003cstrong style=\"color: #333;\"\u003eSupport:\u003c\/strong\u003e 32_bit, 64_bit\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"PSP AUDIOWARE","offers":[{"title":"Default Title","offer_id":53936534126915,"sku":"XCH-1178-1203","price":645.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0910\/4090\/7587\/files\/PSP_RetroQ.png?v=1764262566"},{"product_id":"psp-springbox","title":"PSP SpringBox","description":"\u003cp\u003ePSP SpringBox is an emulation of a hardware spring reverberator (VST, AAX and RTAS for Windows; AudioUnit, VST, AAX and RTAS for Mac OSX). 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To make this plug-in a versatile tool, we added several modern features such as an adjustable high pass filter, and the ability to switch the high peak and shelf filters to \"Boost\" or \"Attenuation\" modes.\u003c\/p\u003e\n\u003cp\u003ePSP NobleQ stands out for its warm sound, its boost and attenuation low-shelf filters, and its combined peak and shelf high frequency processing. The warm and musical sound in PSP NobleQ is made possible thanks to its finest processing utilizing FAT double sampling for natural, analog-like response. We also added an output valve-like rounding algorithm with adjustable processing depth.\u003c\/p\u003e\n\u003cp\u003eThe low shelf filter actually combines two shelving sections: the first one allows you to boost low frequencies while the other one attenuates them, but is tuned slightly higher. 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However, while PSP McQ was inspired by these analog classics, we added several modern features such as adjustable high pass and low pass filters, filter steepness (resonance) controls for the shelving filters, optional bell filters for the low and high bands, and three nominal Q values for the midrange filters.\u003c\/p\u003e\n\u003cp\u003eWe packed the PSP McQ full of musical features, such as gain following Q factors for the midrange bell type filters. The PSP McQ is well suited for deep track tweaking in order to get the desired sound for a track, or to achieve great track separation in the mix.\u003c\/p\u003e\n\u003cp\u003ePSP McQ also includes our unique second generation SAT(uration) option in the output section. This both protects against digital clipping in software or hardware following the plug-in, and adds a smooth, overdriven sound to hard-driven signals. 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We’ve made PSP EasyVerb simple to use, while offering enough control to quickly customize each effect to your specific needs. In other words, we wanted to offer you a reverb that is operationally “easy,” but sonically complex!\u003c\/p\u003e\n\u003cp\u003ePSP EasyVerb gives you a choice of ten beautiful algorithms: Ambience, Room, Chamber, Club, Hall, Arena, Cathedral, Spring, Plate and Reverse. 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PSP Neon uses frequency-domain fast convolution based linear phase algorithms for the best balance between CPU efficiency and phase accuracy. For those who want to use the excellent analog-modeled PSP Neon filters in even more CPU critical applications, you can even toggle off the linear phase mode and take advantage of PSP Neon's minimum phase error Infinite Impulse Response (IIR) mode!\u003c\/p\u003e\n\u003cp\u003ePSP Neon also features one of our most user friendly interfaces ever, offering unparalleled easy of workflow. Once you experience for yourself the pristine, transparent response and intuitive design of this plug-in, we believe it will become your \"go to\" linear phase equalizer for mastering and other critical audio applications.\u003c\/p\u003e\n\u003ch3\u003eVersion 2 of PSP Neon comes in three flavors:\u003c\/h3\u003e\n\u003cp\u003ePSP Neon HR - compatible with PSP Neon HR version 1, so your sessions will open and your presets will load. 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